Everything will be fine wim wenders1/23/2024 ![]() It’s an unfortunate irony that Wenders has made a film that plays out like another director’s misguided English-language remake more than a genuine product. Guffaws rang out at several points in the first press screening at the Berlin International Film Festival, which also concluded with a damningly tokenistic applause. have resulted here in a work that sadly invites derision. But the creative choices of Wenders and co. On a better day this might have recalled Atom Egoyan at his peak - the wintry setting and the latent traumas sparked by an extraordinary incident certainly bring “The Sweet Hereafter” to mind. “Every Thing Will Be Fine” unfolds by means of an elliptical timeframe frequent fades conclude scenes at incongruous junctures dialogue exchanges seem designed primarily to retain an opaque air rather than further character. ‘The Boys in the Boat’ Review: George Clooney’s Inspirational Crew Drama Is Too Hokey to Stay Afloat Eagle-eyed viewers will note that one of Tomas’s novels is called “Nowhere Man,” a nod to the 2008 Belgian feature written by this film’s scriptwriter Bjørn Olaf Johannessen. All the while, his writing career takes off, seemingly renewed by his harrowing experience. Returning to the site of the accident, he also befriends the victim’s mother Kate (Charlotte Gainsbourg) and, eventually, her surviving son Christopher (Robert Naylor). Surviving a suicide attempt soon after, Tomas ends his childless relationship with long-suffering Sara (Rachel McAdams) and, years later, moves in with Ann (Marie-Josée Croze) and her daughter Mina. Tomas (James Franco) is a novelist who, driving home from work one snowy afternoon, knocks down and kills a boy out sledging with his brother. There’s something amiss in the opening moments of “Every Thing Will Be Fine.” Set to a mildly spooky strings-and-piano piece by Alexandre Desplat, the sequence suggests an old-fashioned murder mystery to such a degree that when the film’s title finally fades in, it feels like a false promise.ĭespite variations of the eponymous phrase being uttered no less than three times in its opening ten minutes, everything isn’t fine in Wim Wenders‘s latest feature, in which a fatal accident connects and haunts a number of people across the decade that follows.
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